ANDREA HORNICK CV
Education
1999 Master of Fine Arts • New Genres • San Francisco Art Institute San Francisco, CA.
1997 Post-Baccalaureate Certificate • Painting • San Francisco Art Institute San Francisco, CA.
1993 Bachelor of Arts • Studio Art and Dance • Oberlin College Oberlin, OH.
Additional study in painting at the New York Studio School, SUNY Purchase, and the Corcoran School of Art.
Solo Exhibitions
2023
Lineages, one person exhibition at Sears Peyton Los Angeles, December 2 - January 31
Lineages, one person exhibition at Handwerker Gallery, Ithaca College, March 23 - April 23
2022
New Work: 1435 - 1783, one person show at Sears Peyton Gallery, NY November 10 - January 14
2017
Andrea Hornick: Unbounded Histories, Barnes Foundation, Philadelphia, PA
Commissioned Sound Works and Video installed in the Barnes Foundation's Permanent Collection, January through May 2017
2016
Andrea Hornick: Journeys, Savery Gallery, New York, NY March 2016
Andrea Hornick: Journeys, Savery Gallery, Philadelphia, PA, March 2016
2010
Andrea Hornick: Recent Work, 1460-1856, at FAVA Gallery, Oberlin OH. January
2009
Andrea Hornick: Recent Work, 1460-1856, at David Krut Projects, New York, NY, September to October
2004
Andrea Hornick: Recent Paintings, at Jen Bekman Gallery, New York, NY, April
Group Exhibitions
2018 – 20
Winter Selections, group exhibition at Sears Peyton Gallery, New York, NY, October 1 - April 1
Regal Planet, HotBed/ James Oliver Gallery, Philadelphia, PA November, 2018 – January 2019
Open House, Sears Peyton Gallery, Los Angeles, CA, October 2018
2016 -17
With Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA, January – March
Natural Philosophy, Martin Art Gallery, Muhlenberg College, PA, November 2, 2016 - January 7, 2017
Due South artists from the Due South Residency in Sicily, Italy, at the Delaware Center for Contemporary Arts, November, 2016 – March, 2017.
2013
Citywide: North by Northwest Marginal Utility Gallery, Philadelphia, PA, November.
2009-10
Shameless, Nameless, & Recycled, POP Gallery, Culver City, CA, December 2009-January 2010.
Shithead and Garbage Man participation in a Jason Middlebrook piece, Sarah Meltzer Gallery, New York, NY, December 2009-January 2010.
2006
Funky Fresh Mark Moore Gallery, Santa Monica, CA. July- August.
Boat Show High Energy Constructs, Los Angeles, CA. April.
2005
Pin UpStairs Jen Bekman Gallery, New York, NY. September.
The Meaning of Plus UC Rivington Museum, Rivington, CA. September.
Painting’s Edge Parks Exhibition Center, Idyllwild, CA July.
Good on Paper [Three Person Exhibition] Jen Bekman Gallery, New York, NY. June.
The Meaning of Plus City of Angels Film Festival, Los Angeles, CA. June.
2004
Threads, Associations, Implications Stay Gold Gallery, Brooklyn, NY. December.
Painting’s Edge Parks Exhibition Center, Idyllwild, CA. July.
Pin Up Redux Jen Bekman Gallery, New York, NY. July.
Cooper Union Residency Exhibition New York, NY. June.
Is a Theme Necessary? Studio 107, Austin, TX. March.
2003
Night of 1000 Drawings Artists Space, New York, NY. November.
2002
Open Studio New York, NY. December.
Domicile Galapagos Art Space, Brooklyn, NY. January.
2000
Andrea Hornick: Works from 1779-1798 UC Davis, Davis, CA. May.
Lucy and Piltdown Man ABC No Rio, New York, NY. March - April.
1999
Andrea Hornick: Works from 1779-1798 (exhibition and performance) Three Person Exhibition,
Diego Rivera Gallery, San Francisco Art Institute, San Francisco, CA. May.
Andrea Hornick: Works from 1779-1798. San Francisco Art Institute, San Francisco, CA. February.
Andrea Hornick: Works from 1779-1798 Art Center, Pasadena, CA March - April.
New Video: Spring Show, Walter McBean Gallery, San Francisco, CA May.
Performances
2019
Meet Your Power Animal, Shamanic Drumming and Talk in conjunction with paintings on view, Andrea Hornick Studio in Berlin, July, 2019
2018
Meet Your Power Animal, Shamanic Drumming and Talk in conjunction with paintings on view, Fivecar Garage and White Rose Studio, Los Angeles, CA, October, 2018
Meet Your Power Animal, Shamanic Drumming and Talk in conjunction with paintings on view, Abhaya Yoga, Brooklyn, NY, June 2018
2017
Andrea Hornick: Unbounded Histories, Barnes Foundation, Shamanic Drumming and Talk, in conjunction with sound piece installation, January 6 and February 5, 2017, Philadelphia, PA
Meet Your Power Animal, Shamanic Drumming and Talk in conjunction with paintings on view, Fivecar Garage and White Rose Studio, Los Angeles, CA, February
2016
Shamanic Drumming in conjunction with solo exhibition, Journeys, Savery Gallery, Philadelphia, PA, March
Shamanic Drumming in conjunction with solo exhibition, Journeys, Savery Gallery, New York, NY May
2015
Contacting Thomas Eakins: Pensylvania Academy of Fine Art, Shamanic Drumming to contact Eakins in reference to his history with PAFA with students and PAFA museum senior staff, November
Shamanic Drumming: 3 Performances 3 Locations Artist in Residence at Tusa: Due South (Verso Sud), Officina Stamperia del Notaio, Sicily, Italy, July.
2013
Histories of Altered Portraits and Shamanic Drum Journey, Vox Populi Gallery, Philadelphia, PA, November.
History and Stories of Altered Portraits Marginal Utility Gallery, Philadelphia, PA, November.
2012
Shamanic Drum Journey for Power Animals for Women and Renaissance Portraits of Women AH Studio, Cambridge, MA, April; AH Studio, New York, NY, December.
2011
Shamanic Journey to Encounter Power Animals, AH Studio, Cambridge, MA, February and April (by invitation).
1997–1999
Andrea Hornick: Works from 1779-1798, Lecture by Dr. Justine Frederika Rose, Curator for the Private Collection at the Vatican various locations including Art Center, Los Angeles, CA; UC Davis, Davis, CA; Mills College, Oakland, CA; Seventh Note, San Francisco, CA; San Francisco Art Institute, San Francisco, CA.
Commissions
2023
Catherine and her Tiger via Vermeer’s Study of a Young Woman, oil on panel, for the subject’s family.
2017
Barnes Foundation: Sound Piece for Permanent Galleries, Developed with curators, Martha Lucy, Shelly Bernstein, and Director, Thom Collins.
2011
Addition of Power Animal to a 19th Century copy of a Raphael painting. Commissioned by the art historian Anne Higonnet.
Addition of Power Animal to a 19th Century copy of a Rembrandt painting. Commissioned by art collector.
Print Edition of Bound and Protected…, The Working Proof Gallery (online).
2010
Print Edition of Recent Work: 1465 – 1860, Art + Culture (online).
Residencies
2015
Due South, Tusa, Sicily, Italy. July.
2009
Visiting Artist Oberlin College, Oberlin Ohio. October.
2005
Painting’s Edge Idyllwild Arts Academy, Idyllwild, CA. July.
2004
Painting’s Edge Idyllwild Arts Academy, Idyllwild, CA. July. (Painting Fellowship)
Cooper Union Summer Residency Program the Cooper Union for the Advancement of Science and Art. June.
2003
Vermont Studio Center Johnson, VT. June. (Painting Scholarship)
Visiting Artist University of California at Davis, Davis, CA. March.
Bibliography
2017
Artsy, 2017: You Can Now Tour the Barnes Foundation with a Shamanic Guide in Your Ear, by
Meredith Mendelsohn
Hyperallergic 2017: Conjuring Paintings' Inermost Thoughts at the Barnes Foundation, by A.M. Weaver
Huffington Post, 2017: With Liberty and Justice for Some: An Exhibition Honoring Immigrants, by Amy Pleasant
Philadelhia Enquirer, 2017: Shamanic Drumming, Poetry, Soundscapes: Barnes Welcomes First Ever Sonic Installation, by A.D. Amorosi
WHYY, 2017: Poet Offers Impressions of Barnes Collection with Sound Intallation, by Peter Crimmins
Barnes Foundation, 2017: Interview With Andrea Hornick about Unbounded Histories at the Barnes Foundation, Interiew with Curator, Martha Lucy on Barnes Foundation Website via Sound Cloud
Artblog, 2017: Andrea Hornick's Metamorphoses: Unbounded Histories at the Barnes, by Flora Ward
Spirit News, 2017: Sound Intervention Exhibit Now Running at the Barnes Foundation, by Steve Bohnel
KQED, 2107: Portraits of an Imigrant Filled Nation at Walter Maciel Gallery, by Sarah Hotchkiss and Kelly Whalen
Visual Art Source, 2017: The Real Innauguration Day, by Bill Lasarow
Visual Art Source, 2017: With Liberty and Justice for Some, by Simone Kusatz
Uwishunu, 2017: The Barnes Foundation Debuts New Sound Installation: Unbounded Histories, by Grace Dickenson
2016
A.M. Weaver, “Andrea Hornick,” for Journeys, Savery Gallery exhibition.
2009
Anne Higgonet, “Collected Works” in Andrea Hornick: Works from 1460-1856 (New York: David Krut Projects, 2009).
Bridget Alsdorf, “Femininity and Animality” in Andrea Hornick: Works from 1460-1856 (New York: David Krut Projects, 2009).
1999
Andrea Hornick: Works from 1779-1798 (San Francisco: Red Dot Books, 1999).
Academic and Teaching Positions
2012- present
Lecturer in Fine Art • University of Pennsylvania School of Design Philadelphia, PA. Undergraduate Courses in Drawing and Painting, Graduate Course: “Museum as Site: Critique, Intervention, and Production”
2011
Adjunct Professor of Art • Barnard College Columbia University, New York, NY.
Undergraduate Course: Drawing in and From Museums.
2011
Adjunct Professor of Art • Oberlin College Oberlin, OH.
Undergraduate Course: Traditional Painting Technique.
2007
Adjunct Professor of Art • University of Auckland Auckland, New Zealand.
Graduate Course: Advanced Drawing: Technique, Collage, and Interiors.
Graduate Course: Recent Painting and Design.
2002-2005
Instructor of Art • Solomon Schecter School New York, NY. Courses in drawing and painting.
2000-2004
Instructor of Art • The Jewish Museum New York, NY. Summer Courses in drawing, painting, and video.
2000-2001
Instructor of Art • New York City Museum School New York, NY. General art courses, instruction in museums.
1999-2006
Teaching Artist (graduate, undergraduate, high school) The Jewish Museum, Cooper Hewitt National Design Museum, Morgan Library, American Museum of Natural History. Tours and programs crafted in dialogue with curators and teachers.